![]() ![]() ![]() Barney has received numerous awards including the Aperto prize at the 1993 Venice Biennale the Hugo Boss Award in 19 Kaiser Ring Award in Goslar, Germany and the San Francisco International Film Festival’s Persistence of Vision Award in 2011. His films have been screened at festivals including Sundance, New York Film Festival, Toronto International Film Festival, and the Berlinale. ![]() Other films include Drawing Restraint 9 and De Lama Lâmina. Former NHL wing Matthew Barnaby was arrested on assault and public intoxication charges at a bar in downtown Nashville, Tenn., early Thursday, police said. Redoubt debuted theatrically at Film Forum in New York in October 2019. His evening-length film-opera River of Fundament premiered in 2014 at Brooklyn Academy of Music’s Harvey Theater, after which it toured opera houses, performing arts festivals, and museums on five continents.īarney’s most recent project, Redoubt, premiered as part of an exhibition organized by the Yale University Art Gallery, New Haven traveling to UCCA, Beijing, in September 2019 and the Hayward Gallery, London in 2021. His five-part Cremaster Cycle (1994-2003) has been called “one of the most imaginative and brilliant achievements in the history of avant-garde cinema.” The Cremaster films, along with related sculpture and drawing, were the focus of a 2003 exhibition organized by the Guggenheim Museum in New York, and have since been screened widely in museums and cinemas around the world. Barney, Matthew > Matthew Barney ARTIST PAGE with links to monographs, museum exhibition catalogs, criticism, catalogues raisonnes, related publications. In addition, quotes from Matthew Barney included here come from the video The Body as Matrix: Matthew Barney’s Cremaster Cycle by Maria Anna Tappeiner. Matthew Barney was born in San Francisco in 1967 and lives and works in New York. As Diana and the Engraver silently hunt each other and their wild prey, the two Virgins perform a series of ritualized choreographies that both echo and foreshadow the act of killing. ![]() Therefore, the use of Jim Ottos implied body provides Barney with a historical sexual debate around. The Engraver and Diana engage in a series of confrontations as he transgresses with the act of drawing, and she responds by turning her gun on his engraved images. This reduction of the powerful athlete down to a deviant dual rectum presents the viewer with a debate through which to consider all forms of sport in this way via the wider socio-sexual context. An Engraver (Matthew Barney) happens upon the hunting outfit in the forest and begins stalking the trio, furtively documenting their actions in a series of copper engravings. Accompanied by her attendants, the Calling Virgin (Eleanor Bauer) and the Tracking Virgin (Laura Stokes), Diana traverses the mountain terrain in pursuit of the elusive wolf. Both protector of the natural world and a predator within it, Redoubt’s Diana (Anette Wachter) is a present-day sharpshooter hunting game in the Idaho wilderness. These photographic works feel icons, albeit venerating saints of a mysterious and hybrid denomination.Redoubt loosely adapts the classical myth of Diana, goddess of the hunt and of nature, and Actaeon, a hunter who trespasses on her privacy and is punished. Still images of protagonists or objects are displayed in shaped acrylic fames, some of which are self-lubricating, such as CREMASTER 4: T L: IRISH SEA, 1994. Many of the props are coated in Vaseline, and Barney extends this into the photographic and sculptural pieces related to CREMASTER. Americana, tartan, Modernist architecture and Renaissance opulence coexist in new hybrid compositions that seem to be in dialogue with high fashion as much as the supposedly more serious contemporary art lexicon. Matthew Barney and Bjork, a fiercely private couple, speak, ambiguously, about 'Drawing Restraint 9,' the first creative project they have worked on together. The sets and costumes, full of baroque detail and stylistic clashes, are as much the central focus as the characters. Named after the muscles that control the rise and fall of the male testes, the films investigate the rituals and eroticism of sport – reflecting Barney’s own past as an athlete – and the power of belief systems and architecture.īarney weaves together idiosyncratic narratives encompass everything from Celtic myth and the TT races on the Isle of Man, to the Art Deco Chrysler Building skyscraper in New York, and even feature sculptor Richard Serra as a grand masonic master. Barney is best known for his hugely ambitious CREMASTER series (1994-2002), five self-written and self-directed feature length films made in nonsequential order. He began his Drawing Restraint series in 1987, releasing a film, Drawing Restraint 9, set on an Icelandic whaling ship and starring his then partner, Björk, in 2005. Matthew Barney works across sculpture, photography, drawing and film, often developing singular pieces over a number of years. ![]()
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